I started in mid to late 2017, I was really into electronic dance music at the time, mainly Big Room House and Future House. I continued making this kind of music until late 2018, where I got more into bass-heavy sub-genres like Complextro, Drum and Bass, Future Bass and Dubstep.

Around mid 2019 I started to improve at sound design and had my first collaborations. A while later, I started listening to film scores. Naturally, I wondered if I could make that too and so I got into orchestral and cinematic music.

Moving into 2020 I published my first orchestral track. Around May 2020 I started to value the importance of mixing much more, and focused a lot on that. I also got my first decent orchestral sample library at the time and realized how much I still had to learn when it comes to orchestral music, so I got to learning. Moving on I wrote some far better sounding electronic songs (e.g. Aliens, Earth (Reborn) and Woof) and bought two professional sample libraries; BBC Symphony Orchestra Core and Olympus Elements. With my newly acquired sample libraries and better composing abilities I got to work on Kirby Super Star Ultra Re-imagined, remixing the songs from one of my favourite childhood games into modern orchestral versions.

2021 was all about exploration for me, diving into unknown grounds and trying out new unusual combinations. I got into big band and jazz, made a rock song and improved on other areas such as workflow and consistently getting ideas.

2022 and 2023 we’re more about refining my craft, I finished high school and got into music college, which I’m currently still enrolled in.